In the X-Pro2, this customization has been extended to the onscreen menus as well. Just head into the menu and re-program each button to perform a new function. FujiFilm's customization options allow you to more or less create whatever button layout you want. And, as an added bonus, it frees up the arrow keys to handle other shortcuts.Īnd those shortcuts abound. Suffice to say, the nib is brilliant-except for fast moving subjects, in which case I revert to half-pressing the shutter release. I'm now constantly feeling for a nib on my camera that's not there. And now, having sent my review unit of the X-Pro2 back to FujiFilm, I am ruined. However, by the time I figured this out I'd already become fluent with the nib. This is true with even the X-Pro2, though you can swap the AE and AF lock buttons, which will put focus lock right under your thumb. Once you learn to use the nib, though, you start to realize that the half-press and recompose method is really a hack around a shortcoming of most cameras-the AF lock button is never where you want it. To navigate between points, you can use the nib joystick.Īs someone who's used to doing a half-press of the shutter to lock focus and then recompose, the genius of the nib was not immediately apparent. The autofocus system itself has been improved, and it now has a total of 273 AF points (up from 49 on the X-Pro1) across the frame. The one new button is the focus joystick, a little nib that allows you to move the area of focus around. The functions of the buttons themselves are largely unchanged, but new layout means you can access nearly everything with your right thumb without ever taking your eye off the viewfinder. There's a slightly larger grip, but otherwise most of the changes are on the back, specifically the button layout. Speaking of high ISO, the X-Trans III can go all the way to 25600, though to my eye anything above 6400 starts to get noisy.įrom the front, the X-Pro2 is nearly identical to its predecessor. #Fuji xpro 2 used skinThe infamous waxy skin tone problem at high ISO has also been eliminated. The X-Trans III is an impressive new sensor FujiFilm has managed to improve the pixel count considerably without sacrificing anything. The X-Pro2 is also not a "full frame" sensor camera, though its output is on par with most full-frame systems I've used. (The rumored XT-2 will likely have 4K video.) If 4K video is important to you this is not the camera for you, end of story. But those capabilities probably won't be coming to the camera-not even via one of the company's famously feature-adding firmware updates. Judging by comments from Fuji execs, the X-Pro2 sensor is probably capable of 4K video. This is an opinionated machine designed for a specific type of photographer. There's no articulated screen, no touchscreen and no 4K video. The X-Pro2 is also very deliberate about what it doesn't have. Even video, which has previously been a weak point in Fuji systems, has been drastically improved in the X-Pro2. Also notable is a new film simulation mode based on Fujifilm's Neopan ACROS black-and-white film. The autofocus is faster, the controls have been moved to better locations, and the menus have been rearranged and are now easy to customize. There's better image quality, thanks to the new 24-megapixel X-Trans CMOS III sensor. Instead, it takes everything that makes FujiFilm's X-mount cameras appealing and improves all of it. The X-Pro2 doesn't break any fresh ground. This is a camera that demands to be used. In my case, I can say that not since I sold my Nikon F3 have I picked up a camera and headed out the door for the sole purpose of taking photos. The understated design-from the front, there's no logo or even camera name-and rangefinder-style configuration combine to create something that feels pulled out of an entirely different era of photography. If Fuji's vision aligns with your own, the X-Pro2 can feel, if you'll pardon the over-used hyperbole, magical. In five short years, FujiFilm has been able to produce one of the most fully realized visions of what a camera should be. Both of those cameras are excellent and earned top marks, but FujiFilm's achievement is even more notable when you look at the company's newest release, the X-Pro2 ($1,699). It's been barely five years since FujiFilm plunged into the consumer camera market with the fixed-lens X100, and a mere four years since the company's flagship X-Pro1 hit the market.
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